Music Licensing

One-Stop Licensing

Ronka Music Group LLC controls 100% of the master and publishing rights for its catalog, providing fast, streamlined licensing for film, television, advertising, hospitality, retail, wellness, and branded content.

One-Stop Instrumental Music Licensing

Contemporary jazz, soul-jazz, funk, and Brazilian-inspired instrumentals for film, television, advertising, hospitality, retail, wellness, travel, and branded content. Broadcast-quality instrumental music with 100% master and publishing control for film, television, advertising, hospitality, retail, wellness, travel, and branded content:

✓ 100% Master & Publishing Controlled
✓ Fast Rights Clearance
✓ Broadcast-Quality Masters
✓ Stems & Alternate Mixes Available

One-Stop Instrumental Music Licensing

Industry Recognition

  • Billboard-charting single “City Groove”
  • National smooth jazz radio airplay
  • Music featured in the Brazilian television series Casos e Acasos
  • ASCAP international performance royalty statements documenting additional international broadcast performances
  • One-stop licensing (100% master and publishing control)
  • Releases distributed through The Orchard and TuneCore
CoverTitleButton
Shake It UpHigh-energy jazz with a smooth edgeListen
CruisinCool, relaxed groovesListen
Can’t Stop NowUpbeat contemporary jazzListen
Simply StatedSoulful and timelessListen
Struttin’Stylish contemporary jazzListen
Got GrooveFeel-good groove jazzListen

Licensing Information

Ronny Smith creates contemporary jazz instrumentals that blend jazz, soul, funk, blues, gospel, and Brazilian influences. His music is well suited for luxury lifestyle, travel, hospitality, real estate, documentary, television, streaming, and branded content projects. Ronny ‘s music has been featured on Brazilian television and has generated international performance royalties. Documented performances include the Brazilian television series Casos e Acasos, with additional ASCAP international royalty statements reflecting performances in connection with I, Robot, My Fellow Americans, and Vampire in Brooklyn.

Available For

• Television & Streaming
• Film & Documentaries
• Travel & Tourism Content
• Luxury Real Estate Videos
• Hospitality & Resort Programming
• Lifestyle & Wellness Media
• Corporate & Branded Content

Rights & Ownership

All music is controlled by Ronka Music Group LLC. Master recordings and publishing are available for licensing, allowing for streamlined clearance and direct communication regarding usage opportunities.

Why Music Buyers Choose Ronka Music Group

  • One-stop licensing
  • Fast response time
  • Direct communication with the rights holder
  • Instrumental catalog
  • Broadcast-ready WAV files
  • Stems and alternate mixes available
  • Complete metadata
  • Custom edits available

Licensing Inquiries

For sync licensing, custom music requests, or catalog information, please contact:

Ronka Music Group LLC
ronnysmithjazz@gmail.com

The Buzz

Sometimes in the middle of night I wake with a start and wonder if any guitar-based contemporary instrumental music would ever have been created if George Benson, Wes Montgomery and Joe Pass had never been born. After hearing the first few seconds of Ronny Smith’s “Bossa Awhile,” which leads off his sparkling new CD, you’ll note the influences from this troika of geniuses and know that their legacies are in good hands. -Brian Soergel

This CD, as his previous ones, has been a growing process for this talented guitarist. And this continuous quest for the best guitar sound results in a highly recommendable CD, which gets him closer to greatest jazz guitarists such as Wes Montgomery and George Benson. – by Akbar Nour

Smith is a master at creating atmospheres that make people eager to bury themselves in, and happy to stay submerged in for long lengths of time. Smith straddles the line of escapist music and compositions that touch human sentiment. He cites Wes Montgomery, Joe Pass, George Benson, and Roy Clark as his musical influences, and though his image of smooth jazz is arced by their impact on him, he also shows signs of moving past them, having tapped into his own ideas and developing a trademark sound that fits him totally

Not only does he play guitar, keys and bass throughout he also arranges, produces and programs all ten tunes. Eight of these are original compositions cleverly complemented by the addition of two immaculately crafted covers.

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