Return Policy

The return policy for media goods, such as CDs, DVDs, Blu-rays, and vinyl records,:

Condition of the Item: Media goods can only be returned if are in their original, unopened, and unused condition. This means that the packaging should be intact, and the item should not show signs of wear or damage. For non-media goods please contact us within 10 days of purchase.

Time Frame: For a refund or exchange Media goods must be returned within 10 days from the date of purchase.

Proof of Purchase: Customers are required to provide proof of purchase when returning media goods. This can include a receipt, order confirmation email, or packing slip.

Reason for Return: Please state the reason for the return, especially if the item is being returned due to a defect or damage.

Refund or Exchange: Customers may be eligible for a refund of the purchase price, store credit, or an exchange for a different item.

Shipping Costs: Customers are responsible for any return shipping costs unless the item is being returned due to an error on the part of the Ronkamusicgroup, such as receiving the wrong item or a defective product.

If you have any questions or concerns please contact us.

The Buzz

Sometimes in the middle of night I wake with a start and wonder if any guitar-based contemporary instrumental music would ever have been created if George Benson, Wes Montgomery and Joe Pass had never been born. After hearing the first few seconds of Ronny Smith’s “Bossa Awhile,” which leads off his sparkling new CD, you’ll note the influences from this troika of geniuses and know that their legacies are in good hands. -Brian Soergel

This CD, as his previous ones, has been a growing process for this talented guitarist. And this continuous quest for the best guitar sound results in a highly recommendable CD, which gets him closer to greatest jazz guitarists such as Wes Montgomery and George Benson. – by Akbar Nour

Smith is a master at creating atmospheres that make people eager to bury themselves in, and happy to stay submerged in for long lengths of time. Smith straddles the line of escapist music and compositions that touch human sentiment. He cites Wes Montgomery, Joe Pass, George Benson, and Roy Clark as his musical influences, and though his image of smooth jazz is arced by their impact on him, he also shows signs of moving past them, having tapped into his own ideas and developing a trademark sound that fits him totally

Not only does he play guitar, keys and bass throughout he also arranges, produces and programs all ten tunes. Eight of these are original compositions cleverly complemented by the addition of two immaculately crafted covers.